Latinos also remain wildly elusive in the popular culture, the one area that could perhaps most effectively battle the stereotypes through the broadcast of a more accurate, nuanced or humane picture of Latino life to the American public. Or at least dot U. If ever there were an urgent moment for the various culture industries — film studios, theater companies, art museums and TV production companies — to act on issues of diversity and inclusion, that moment is now.
And not because diversity is some feel-good thing that makes for a nice talking point during Hispanic Heritage Month, but because rendering an entire segment of the population invisible makes the cultural arena complicit in a marginalization that is entering increasingly dangerous territory. It is the mass media areas of culture — cinema and television — that have the most power to help fill that vacuum.
And they seriously lag when it comes to issues of representation. There have been breakthroughs.
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Yet depictions of U. Latino life, particularly the Mexican American experience, remain fleeting.
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But every time you have to batter down the gates. Success is seen as a one-off. On Sept. So much of what is seen is narcos, narcos, narcos. The late actress Lupe Ontiveros once estimated she had played maids times. But the program, which wrapped up its five-season run last month, is the lonely exception rather than the rule. For Latinos, its cancellation stung.
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A show, in other words, about ordinary Americans who happen to be Latino. Americans who go to work, go to school, make dinner and have uncomfortable conversations with their kids about social media. Now they were gone — from a streaming service on which most of the shows connected with Latinos are international dramas about drug trafficking. In that regard, the show is groundbreaking — presenting characters of all ages, genders and sexual orientations, all of whom contend with everyday issues such as heartbreak, resentment and the messiness of life after the death of a loved one.
That is an American thing. A survey of solo exhibitions at 30 museums, published by ARTnews magazine this month, showed that out of 2, shows, only 5. When the major institutions do get around to featuring Latino artists in career-making solo exhibitions, they tend to be established artists from Latin America. This sidelines Latinos who were born or raised in the U. It also sidelines the idea that Latinos might be integral to American art history. The cross-border cooperation institutions, curators and writers from across Latin America contributed served as a cultural counterpoint to the rising anti-Latino xenophobia of the Trump administration, then in its first year.
But everyday representation remains weak — particularly that of Mexican American artists. The last time a Chicano artist was the subject of a solo show at one of the major museums in L. If the Hammer Museum or the Museum of Contemporary Art Los Angeles has given a solo show to a Chicano artist in the last decade, I have been unable to find any evidence of it. Her works, which have tackled topics such as notions of home, have been displayed at LACMA, and in September, she will have a solo exhibition at the New Museum in New York — making her, in all likelihood, the first Mexican American artist to get a solo exhibition there.
One of the most magical, as-yet unreleased live performances by Jeff Buckley debuts on vinyl as part of the continuing celebration of the 25th anniversary of his debut studio album Grace. This mythic concert is now available for the first time ever, featuring new mixes from the original multi-track masters! SIDE A: 1. Rediscover the songs that helped J. First time being reissued on vinyl, cut from the analog master and pressed on translucent red vinyl.
Side A: A1. Pressings were probably a run of a few hundred copies and may have been included as part of the Rockpool service that was sent to college stations. Six songs from this recording, including an unlisted intro, were used to make the DEV-O Live 12" mini-album. The Isle of Wight performance, their last as a foursome outside the US, on vinyl for the very first time. Pressed on audiophile-quality, heavyweight double black vinyl. The much sought-after 3LP boxed set edition was initially pressed at 45 RPM and has been out of print and unavailable for three years.
This is a limited edition re-pressing of 4, copies worldwide, on g black vinyl. The first U. White with black splatter vinyl pressing limited to copies. Created and led by talented maverick singer songwriter-guitarist Jeffrey Lee Pierce, they merged the contemporary genre of punk rock with the more traditional genres of rockabilly and country music, alongside X, the Flesh Eaters and the Blasters. The Gun Club has been called a "tribal psychobilly blues" band and initiators of the U.
Sex Beat 81 is a live album, recorded in and eventually released in To mark the occasion in his own inimitable fashion, Jimi readied this special medley of holiday favorites to celebrate both Christmas and the dawning of a new decade.
This is a collection of all the material created around the recording of Hippo Campus' most recent record, Bambi. One LP is early iterations of songs from the album, while the second collection is material that was written and recorded in sessions for the album, including several live fan favorites. All packaged in a custom-printed polybag.
The impact of Robert Johnson's talent, be it his intense vocals, outstanding guitar skills or masterful songwriting, is still being measured.
As a youth Johnson learned to play the harmonica, and according to Son House, Johnson was pretty good at it. His real ambition was to master the guitar and sometimes during a break when his idols Son House and Willie Brown performed he would pick up one the guitars and try playing it himself annoying his idols. You drive the people nuts.
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Driven by the negative response to his inadequate abilities on the guitar, Johnson disappears for a year or two, returning with stunning results as a master of the Mississippi Delta blues style not only absorbing the immediate influences of his mentors but perfecting his craft one step further with unprecedented intensity creating a guitar mastery and expressive vocal emotion that radiates and inspires to this day. Blind Willie Johnson was the greatest and most popular guitar evangelist, and influenced generations of musicians.
Between and , Johnson recorded 30 powerful, timeless, landmark songs for Columbia Records in five sessions in Dallas, New Orleans, and Atlanta, generating strong sales and national fame. Blues master Freddy King made history with his explosive and unconventional guitar style, his immortal instrumentals inspiring axe-men both at home and abroad.
Couple whose ordeal inspired Boston Marathon bombing film 'Stronger' are to divorce after two years
The Mojo! Pressed on gold vinyl at RTI! Set to coincide with the deluxe re-issues of Arthur for its 50th anniversary October The solo album from one of the two They Might Be Giants Johns makes its vinyl debut in celebration of the album's 20th anniversary. The 45 single arrives on green vinyl and contains a digital download for both songs. The limited edition vinyl picture disc will feature new artwork exclusively created for this RSD Black Friday release, based on the parlour game Exquisite Corpse, and includes a lyric insert.
Willie Nelson, an enduring American icon and tireless supporter of marijuana legalization, offers the latest hit from his stash, a humorous ode to the sweetest of leaves as only Willie can do it.
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Born and raised in Nairobi, Kenya, J. Ondara fell in love with Bob Dylan and moved to Minneapolis when he was 20 to pursue a career as a singer-songwriter. His debut album, Tales of America, is an examination of the American Dream, but from the perspective of the outsider, the immigrant, the social commentator.
This album made J. Tales of America: B Sides is a five track LP packaged exclusively for Record Store Day, and features a previously unreleased track, a demo, a remix, and two cover songs. LP1 Side 1 1. Ornette Coleman [Ltd. All the original members, including Joan Jett, were still in the band at the time and Lita Ford is at her most metallic. Even more curious, however, is renowned wizard and true star Todd Rundgren covering it for the fourth installment in the Swindles series.
Rundgren takes the song down a electropop wormhole, transforming the tune into something completely unique from the original recording. Demento Covered in Punk. Taking it a step further, Demented Punk commemorates the culture-clash with amazing new front cover art by Cramps illustrator Stephen Blickenstaff. Created in homage to his original Bad Music for Bad People cover illustration shown on the back of this release , the new piece beams in the likeness of the legendary Shatner in place of the late great Cramps front man Lux Interior.
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